ProRes vs H.264: Why Video Editors Use a ‘Bigger’ Format

ProRes vs H.264: Why Video Editors Use a 'Bigger' Format

Open a professional editing timeline and you’ll often find footage in a format called ProRes, with files that are five, ten, sometimes twenty times larger than the final H.264 video that eventually gets uploaded. That looks backwards at first — why would anyone deliberately work with bigger files? The answer is that ProRes and H.264 … Read more